Episode #5 - Being comfortable on the street, zooms vs primes, Fujifilm medium format - and a William Eggleston book

Welcome to ‘StreetSnappers - the Street Photography Podcast’.

Street photography doesn’t start with bravery, it starts with belonging. While juggling another Venice run, we get personal about how childhood habits, walking alone, watching people and loving the town centre can quietly build the foundations of a strong street photographer. If you’ve ever wondered why you feel relaxed on the street or why you feel like an outsider, this one gets to the human side of the craft.

From there I tackle a few of your questions: who might become the 'future greats' of street photography, and how the genre is shifting as aesthetics increasingly drive attention. I also get opinionated about zoom lenses versus primes, with four clear reasons I prefer primes for candid work: less distraction, more discretion, lighter carry, and better image quality.

Then it’s time for a proper gear reality check with the Fujifilm GFX 100RF. We talk medium format detail, the lure of cropping, the lack of IBIS, and the bigger issue for street shooting: speed, responsiveness, and feel in the hand, especially when compared with a Leica Q3.

As a counterpoint to the tech talk, we finish with a classic book review, looking at William Eggleston’s controversial colour photography and the strange power of the mundane, plus a quick news round on The Photography Show, the Irys app, and what we’re planning next.

If you enjoy thoughtful street photography chat, subscribe, share with a pal and leave a review so more street photographers can find us.

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William Eggleston's 'Guide' - https://amzn.to/416nsPB

Brian's street photography workshops - www.streetsnappers.com

Brian's YouTube channel - https://www.youtube.com/streetsnappers

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Episode #6 - Where's your comfort zone? Also - monochrome cameras, street competitions, a book recommendation, street photography definitions - and a recipe!

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Episode #4 - How I turned a grey day into a project, photography degrees and the pull of Venice