I’ve put together a selection of some monochrome images I shot in Venice over the past 3-4 years, which you can see in this gallery. These are, of course, mostly random shots; much of my work is project-driven and I’ll post some of my projects separately.

You may know that I’m a big fan of Lisbon - as both a holiday destination and as one of the best cities on earth in which to shoot street photography. I’ve just returned from a week in Lisbon and I thought I would share a few of my images with you.

This YouTube video showcases the work of my street photography workshop students during the past 12 months, featuring work from those who are complete beginners to those who are very experienced street photographers.

This week’s dose of inspiration is from Ginny Wren, who first came on a workshop with me in 2020 when she was completely new to street photography (and I think fairly new to photography generally). Since then Ginny, who lives in Northern Ireland, has had a roller-coaster of a street photography journey and I asked her to share that journey with you.

On Sunday I popped in to the Photo North Festival in Blackpool and I have to say it’s well worth a visit. The theme is ‘Postcards From The Edge’, a perspective on the English seaside from photographers such as Peter Dench and Barry Lewis - and lots of other photographers such as local street shooters Dawn Mander, Gisela Szlatoszlavek and Craig Szlatoszlavek. If you’re into Blackpool street photography, do visit!

This is the age of the ‘yearning for learning’ and photography workshops have never been more popular. From street photography to fashion, landscapes to astrophotography, weddings to boudoir - everyone wants to do a workshop – and there’s no shortage of people wanting to provide them. These tips  could help prevent you from making an expensive mistake. 

Mark Powell is an enthusiastic street photographer who I’ve known for a couple of years and I asked him to tell us a little about his street photography journey . . .

This month London photographer Barry Bottomley is in the hot seat. I was keen to interview Barry because I know that he’s put a lot of work into selling prints - something many of us aspire to do - and I thought you may find his perspective interesting . . .

In this article I explore some of the realities of street photography and dispel a few myths. Read on to find out more . . .

My latest zine was published last week and is called ‘I Divertimenti Carnevaleschi’, all about the craziness and the fun of the Venice carnival. 48 pages, 31 monochrome images, 148x148mm. Price is £7.50.

It’s a question that’s been debated a lot in street photography circles over the past few weeks, instigated by street photographer, Stephen Leslie, who’s claimed that too many people are out to copy the work of the great Alex Webb, resulting in the world being flooded with bland, meaningless silhouettes. What do you think?

In this regular feature I ask you, the street photographer, 10 questions. This month it’s Les Telford, from Kendal, in the hot seat.

I know that the observational style of street photography isn’t for everyone - but there is another way! There’s an interesting space where ‘street’ meets ‘urban landscape’, where the buildings, the structures, the light and the composition take precedence over the people.

I can thoroughly recommend subscribing to Bob Paterson’s Street Photography Magazine Podcast. It’s a very relaxed interview-style show featuring interesting or well-known street photographers - and this month I’m in the hot seat!

Welcome to the latest in the ‘Ask the Street Photographer’ series, where I ask an amateur street photographer 10 questions about their approach. This week it’s Chloe Sastry in the hot seat . . .

Join me in 2023 for a street photography workshop in Lisbon. I’m there in May and September for group workshops and can also arrange one-to-one workshops during these periods.

This is something we discuss at length on my workshops and I think it’s a really important facet of how we operate as street photographers. This is how I deal with it….

I’m often asked about social media and it’s relevance (or otherwise) to street photographers. Is it a force for good or evil? Is it worth all the effort or is it a waste of time? Does it attract the right or the wrong sort of followers? Does it provide us with inspiration or false hope? In this article we look at some of the key questions - and provide some answers.

Do you have any New Year’s resolutions for street photography? To read more street photography books perhaps: Here are my 8 resolutions - please share yours with us!

Wishing you all the best from Christmas and the new year from birth of us at StreetSnappers HQ!